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Community Art Project Celebrating John Brown’s
Passion For Equality

A 21st-century take on a Civil War song seeks to strengthen social safety nets by building the arts community

Please RSVP as soon as possible!

The Story Behind Our Community Art Project

This story is part of the Freedom Story Project of John Brown Lives!, a nonprofit in North Elba, NY, where the Old Man had his family farm. Here we explain the genesis and evolution of our community arts project honoring Brown’s passion for equality.

Culture 4 A Cause is spearheading a community arts initiative to produce a song and music video for John Brown’s Body, the song that became The Battle Hymn of the Republic. Torrington is the birthplace of John Brown, an important American abolitionist, who inspired the song, which was popular among Union soldiers.

Culture 4 A Cause is spearheading a community arts initiative to produce a song and music video for John Brown’s Body, the song that became The Battle Hymn of the Republic. Torrington is the birthplace of John Brown, an important American abolitionist, who inspired the song, which was popular among Union soldiers.

America is in the midst of its largest civil rights movement ever. John Brown was a relentless antagonist to the institution of slavery—an institution that continues to shape our nation—and his views were formed right here in Torrington.

America is in the midst of its largest civil rights movement ever. John Brown was a relentless antagonist to the institution of slavery—an institution that continues to shape our nation—and his views were formed right here in Torrington.

Racial supremacy was wrong in 1800, and it’s wrong now. 

“Torrington is a microcosm of America,” says Daniel Morrison, executive producer of the project, and a member of the board of directors of Culture 4 A Cause.  “We are a diverse community of city, suburban, exurban, and rural people. We want to say loud and clear that a passion for equality is steeped in Torrington’s past, present, and future.”
“We are recording this song not as an act of protest, but as an act of community celebration,” says Morrison. “Our guy, John Brown, set out from Torrington to change the world for the better and we want to celebrate that spirit 220 years after his birth.”
The project is also meant to give a sonic boost to the growing visual arts movement in Torrington and NWCT. “There is a lot of superb talent and artistic resources in our region, and we want to shine a light on them,” adds Jacque Williams, a local recording artist, media personality, and Vice-chairman of Culture For A Cause.
The song will be accompanied by a documentary-style music video featuring footage of the artists interspersed with historic images and informational graphics celebrating John Brown’s steadfast dedication to equality.

John Brown's Body:

Where the Blues Come From

Blues was the first free Black American music, and it seeped deep into the musical landscape immediately. The kids loved it, and the parents thought it was the music of the Devil, which Robert Johnson capitalized on.

Part of a musical documentary film, “His Truth is Marching On: American Music from 1619 to Hip Hop As Told Through John Brown’s Body.” This section is the acoustic blues performance of a verse and chorus of the larger John Brown’s Body song.
Performed by Ysanne Marshall (vocals) and Chuck Bickford (fingerstyle guitar), recorded at the Red Room Sound Studio in Torrington, CT, (the town that is the birthplace of John Brown).

Part of a musical documentary film, “His Truth is Marching On: American Music from 1619 to Hip Hop As Told Through John Brown’s Body.” This section is the acoustic blues performance of a verse and chorus of the larger John Brown’s Body song.

Performed by Ysanne Marshall (vocals) and Chuck Bickford (fingerstyle guitar), recorded at the Red Room Sound Studio in Torrington, CT, (the town that is the birthplace of John Brown).
 
Blues was the first free Black American music, and it seeped deep into the musical landscape immediately. The kids loved it, and the parents thought it was the music of the Devil, which Robert Johnson capitalized on.

Project Musicians In Order of Appearance

Rev Angaza Mwando (djembe)
Enzo (vocals, Chorus Angelicus)
Guy Wolff (banjo)
Barbara McGavern (vocals)
Torrington High School Marching Band
Chorus Angelcus’ Gaudeamus (bass/tenor quintet)
Charles Bickford (guitar)
Ysanne Marshal (vocals)
Johnny Davis (piano)
Mick Connolly (bass and drums)
Chorus Angelicus (full choir)
Darlene Battle (vocals)
Lucinda Rowe (vocals)
Mick Connolly (vocals, guitar, bass, and drums)
Jacque Williams (vocals, rap)
Peter Pobuda (rap)
Enzo (vocals, Chorus Angelicus)

If you can’t attend, please consider making a contribution of any amount by clicking the donate button 

Partial funding provided by:

The Connecticut Office of the Arts
The National Endowment for the Arts
City of Torrington (American Recovery Program Act funding)
Torrington Savings Bank

Individual Financial Contributors:

Nora Sullivan
Mary Leblanc
Rachel Harrel
Thompzin Tilley
Jennine Lupo
Daniel Yanok
Anonymous (x8)
Tinsley Morrison
Chris Weydeveld
Annelieke Schauer
Nancy McMillan
Mary Parker
Margaret Capen
Nancy Weitz
Stephanie Barksdale
Daniel Morrison

If you can’t attend, please consider making a contribution of any amount by clicking the donate button